Showing posts with label Samhain Publishing. Show all posts
Showing posts with label Samhain Publishing. Show all posts

Wednesday, December 14, 2011

Alley Blue - Convergence (Mother Earth Book 3)


Hi everybody! First off, I want to thank Jadette for so graciously hosting me on her blog today. Thanks Jadette! Mwah!

Today, I’m telling you about my latest novel, Convergence (Mother Earth book 3), released yesterday, December 13th, from Samhain Publishing. It’s interesting how I came to write this third installment in the Mother Earth series. In Mother Earth book 2, Shenandoah, Bear and Dragon traveled through the ruins of the ancient city of Char. As I was writing that book, it sort of came up that Char was unnaturally hot. I didn’t plan it that way, it just happened. You know those things flow from your brain and out your fingers onto the page sometimes. For me, they nearly always improve on whatever plan I’ve made for the plot :)

Anyway, after Shenandoah I had Char’s unusual heat already established. And I started thinking to myself, why would it be so hot there, with the heat confined to the Char ruins? It couldn’t be any kind of local weather phenomenon, so I figured the heat must be coming from underground. From there, it seemed like a natural leap to decide there must a live city hidden underneath Char, with a power system—in this case, geothermal—that gives off enough waste heat to cause the high temperature in Char.

I know, obvious, right? LOL. Okay, maybe not. But the idea of an underground city got hold of my brain and I had to use it. I’d already decided to write Lynx’s story for the third Mother Earth book—Lynx being Bear’s Pack Brother from Mother Earth book 1, Dragon’s Kiss, for those who don’t know. So the concept of the underground city became the seed from which the entire concept for Lynx’s book, Convergence, grew. I’d been mulling over a way to bring back Rabbit, the lost Pack Brother Bear talks about in the first two books, and having him pop up in a previously unknown, hidden city seemed perfect.

Thus Queen City and Convergence were born. Lynx and Rabbit were my protagonists. This seemed obvious to me. After that it was just a matter of finding out how Rabbit had gotten stuck in Queen City in the first place, and how Lynx was going to find him. That was the easy part of the brainstorming. The execution of those fabulous ideas? Not so much. LOL. 


Writing this book was hard. Truthfully, though, I think it’s the best book I’ve ever written. I love it. I hope you guys will too :)
 
Blurb:
No one survives unchanged.


(Mother Earth, Book 3)

 

When the Carwin Tribe Pack lost Rabbit, a little bit of Lynx died along with his Brother. Their feelings went far beyond the Pack bond. The ensuing years have never erased his sorrow, only dulled the edges.


Kidnapped during a desperate mission to save Carwin, Lynx awakens to a completely foreign civilization where slaves and masters exist in a unique symbiotic relationship. And to a face he never expected to see again—Rabbit. Yet Lynx’s shock and joy are tempered by the changes in his lover.



The Pack’s strength lies in love, sex and a brotherhood forged from a lifetime of living and fighting side by side. Rabbit’s seeming acceptance of his lot as a slave makes Lynx wonder if he’s lost his soul mate forever…and if he can trust Rabbit with knowledge of his plan to escape.



As Lynx learns to navigate the complex hierarchies of Queen City, he begins to realize all is not as it seems. He finds he can’t simply take Rabbit and run, leaving an entire city to a grisly fate. Even if it costs him the one bond closest to his heart—the love he and Rabbit still share.



(Warning: This book contains Lynx-napping, futuristic farming, eavesdropping (minus the eaves), daring escapes, bloody battles, and Pack sex.)


Excerpt:
 

They moved cautiously toward the ruined building east of the nest, with Lynx in the lead and Kitten in the rear.  All three of them wriggled through a swaying curtain of ivy into a tiny open space fashioned partly from the ancient walls and partly from the weeds, trees and vines crowding all around.
“Be careful,” Fox whispered, scanning the landscape with narrowed eyes. “It’s too quiet around here.”
Lynx peered out through the tangle of greenery. Nothing stirred in the dusty heat outside, not even a rat. Not even a bug scuttling through the dirt, for that matter. He frowned. “Do you smell them?”
“No. Well, yes, but it’s residual.” Fox ran the hand not gripping his knife handle over the back of his neck. His dark skin gleamed with sweat in the heat. “I just don’t like the feel of the place, that’s all.”
“I’ll be careful. Don’t worry.” Lynx turned to Kitten. “Do you hear anything?”
Kitten shook his head. “No one’s around other than us, but Fox is right. It’s way too quiet. I don’t think they’re very far off. We need to hurry.”
Leaning as far through the ivy curtain as he dared, Lynx studied the ruins in every direction he could see. Heat-shimmer rose from the ground, breaking the line of the horizon into strange, wavering shapes. Nothing moved. Even the breeze from earlier had died, leaving the air thick, damp and dead.
The whole world felt tense. Breathless. Lynx didn’t like it any more than his Brothers did.
He flexed his fingers around his knife handle. “I’m going to make this fast. Stay alert. I’ll scream if I’m caught. If you hear that, don’t wait. Get out. Understand?”
After a moment, Fox nodded. Kitten wrinkled his nose but eventually nodded as well. Lynx clapped each of them on the shoulder, then ducked under the tangle of vegetation hiding the wide crack in the northern wall.
He ignored the dread that coiled in the pit of his stomach when he left his Brothers behind.
A minor wilderness of briars, young trees and tall grasses lay between Fox and Kitten’s hiding place and the nomads’ nest. It was easy enough to cross the space and slip through the gap in the eastern side of the old building without much chance of being spotted by anyone who happened to be watching.
The cavernous room beyond the opening wasn’t in much better shape than the space where he, Fox and Kitten had spent the previous night. Shade-dwelling weeds sprouted through a thick layer of dirt and splinters Lynx figured had once been a sturdy wooden floor. In the southwest corner, an oak tree sprouted straight up through a hole in the ceiling. Vines spilled through the opening and spread out to cover the walls and creep across the floor.
Glimpses of a tremendous window showed through the vegetation on the southern wall. A window Lynx and his Brothers hadn’t spotted while watching the nomads earlier, because it looked like brick from the outside. Lynx had never seen anything quite like it. He resisted the urge to go take a closer look. There wasn’t time for anything but his mission. Get in, look for signs of the nest, get out. He couldn’t allow himself to become distracted by one of Char’s little mysteries, no matter how interesting.
Jogging past the window, he scanned the western end of the south wall for the place where the nomads had entered. He found it after a few seconds, a narrow rectangular entry with a rusted metal door hanging crooked from one hinge. A trail of trampled grasses and footprints in the dirt led from the door to a spot on the northern side of the room where the ivy hung in a curtain too thick to be natural.
That had to be it.
Heart racing, Lynx crossed to the place where the tracks vanished behind the vines. He stood to one side, his knife in a battle-ready grip, held his breath and listened. Somewhere in the humid green dimness, an insect or small animal scuttled through the weeds. Beyond the veil of ivy, nothing moved.
Lynx let out his breath in a slow, silent stream. He took a moment to calm and center his mind, then crouched and peered through the straggling ends of the vines. He saw nothing but blackness. With a swift glance over his shoulder, he stood and slipped through the hanging greenery, his back to the wall and his knife ready in his hand.
At first, the darkness remained unrelieved, but he could feel the empty space around him. A large space, too large for a single, simple room. He waited. After a moment, his eyes caught a vague pale gold light flickering somewhere far off. It wasn’t much, but once his vision adjusted, the light grew strong enough for him to pick out a hallway that ran straight away from the wall for about ten or twelve paces then dove down a set of steep steps. The light—as well as the sense of a vast, open area—came from somewhere at the bottom.
Lynx stood there, chewing his bottom lip and thinking hard. The Great Mother Herself couldn’t talk him into going down those steps. The hallway led only in that direction, so the nomad gang had to have gone that way, and Lynx didn’t particularly want to fight them alone. But he needed to know whether a nest or a simple camp lay at the bottom of the stairs. The sooner, the better. He wanted to get back to his Brothers and get out of this place. Their time was short. He could feel it.
Moving with a silence born of a lifetime’s skill, Lynx eased a few paces down the hall toward the top of the stairs. As he drew closer, the faint light picked out words carved into the wall at the point where it began to slope down into the ground.
Words. Writing, at the top of what Lynx felt more surely with every passing second was the nest.
Excitement raced through Lynx’s blood, making his heart pound. Great Mother, the nomads can write.
He shook off the thought as soon as it struck him. The edges of the words looked dull and rounded, as if they’d been there for a long time. As if they’d been etched into the ancient wall by someone from the old world.
Lynx stared, wishing with all his heart Rabbit was still alive. He’d been one of the handful of Pack Brothers who could read. Lynx himself knew a few individual letters, thanks to Rabbit’s relentless attempts to teach him, but that was all. He’d never learned to tell one word from another.
He crouched and gazed down the steps as far as he could see. Nothing moved. He turned to peer over his shoulder. The muted, dappled sunlight from the room behind him remained undisturbed. As far as he could tell, nothing human stirred anywhere nearby except himself. He saw nothing, heard nothing.
Why, then, did the skin at his nape prickle and his shoulders grow tense? He didn’t understand it, but now wasn’t the time to start questioning his instincts. With one final, longing look at the letters on the wall—the first one was a “Q”, he felt certain—he hurried toward the tumble of ivy between himself and the exit.
He peered through a gap in the greenery. The room beyond lay empty, but something seemed wrong. The air felt brittle, as if some sound had disturbed it just seconds before and he’d missed it.
His knife at the ready and all his senses on alert, he slipped past the vines and into the tremendous room, keeping his back to the wall. Something stirred at the base of the tree. Lynx stilled. Focused. A second later he found it and cursed himself for an idiot. A nomad crouched in the weeds at the tree’s roots, staring out the window, one hand planted on the ground and the other curled around the handle of a long metal knife.
 Buy link: http://store.samhainpublishing.com/convergence-p-6562.html (it is up for pre-order now, btw)
My website: www.allyblue.com
My utterly silly bio: Ally Blue is acknowledged by the world at large (or at least by her heroes, who tend to suffer a lot) as the Popess of Gay Angst. She has a great big suggestively-shaped hat and rides in a bullet-proof Plexiglas bubble in Christmas parades. Her harem of manwhores does double duty as bodyguards and inspirational entertainment. Her favorite band is Radiohead, her favorite color is lime green and her favorite way to waste a perfectly good Saturday is to watch all three extended version LOTR movies in a row. Her ultimate dream is to one day ditch the evil day job and support the family on manlove alone. She is not a hippie or a brain surgeon, no matter what her kids’ friends say.


Friday, October 14, 2011

Charlie Cochrane's All Lessons Learned


To understand how I came to write All Lessons Learned you have to understand how I came to write the Cambridge Fellows series (of which this is the eighth book). I’m a huge fan of the classic detective novel (Agatha Christie and the like) and it’s always frustrated me that there weren’t a pair of gay detectives solving those cosy crimes. After reading Death at the President’s Lodging (which has got one or two really ‘slashy’ scenes) I became inspired to write my own.

I had an era I loved (the Edwardian, when many of my favourite authors like Conan Doyle were writing) and a setting (Cambridge, my university) and the rest just followed. It wasn’t hard to create a couple of contrasting Edwardian gentlemen, both of them bright, handsome and keen to put their brains to solving mysteries. And a single sex, ivy clad Cambridge college was an ideal place for a pair of male lovers to hide their relationship, one which started in “Lessons in Love”.

The series grew, the mysteries multiplied, but at the back of my mind there was always a little warning note. 1914 isn’t far away. And right from the start of publication I had anxious readers asking what would happen to Jonty and Orlando during WWI. I even had a list from my 18 year old daughter of all the ways they could avoid having to fight, such as working in Room 40 with the intelligence services. I had to bite the bullet, shift the story sequence forward a few years and tackle the problem.

That didn’t become any easier as I tackled the research. I get bored with history books, so I go for primary/close secondary sources. Recollections from old soldiers, collections of letters, photographs, poetry from the era; the more I read the more my heart broke at the thought of the waste of young lives. (Don’t get me started on Wilfred Owen or I’ll start blubbing.) Somehow I had to reflect that in All Lessons Learned, without making it so realistic that my readers were horrified or so sad that they felt betrayed.

Writing the book was always a bit of a tightrope act, balancing the needs of the story with the historical background and weighing up just how far I could go and still deliver a happy ending. Even then I had to give a “three hankie” warning to go with the publicity, alongside a reassurance that readers had to trust me.

I felt so relieved when the book was done. Now I can go back and fill in some of the gaps in the Jonty and Orlando timeline, although I haven’t written WWI out of my system. I’ve done a novella and a short story since then, both with a Great War theme and I’m sure I’ll return to it. How could I resist its siren (bugle!) call?


Blurb: 

The Great War is over. Freed from a prisoner of war camp and back at St. Bride’s College, Orlando Coppersmith is discovering what those years have cost. All he holds dear—including his beloved Jonty Stewart, lost in combat.


A commission to investigate a young officer’s disappearance gives Orlando new direction…temporarily. The deceptively simple case becomes a maze of conflicting stories—is Daniel McNeil a deserter, or a hero?—taking Orlando into the world of the shell-shocked and broken. And his sense of Jonty’s absence becomes painfully acute. Especially when a brief spark of attraction for a Cambridge historian, instead of offering comfort, triggers overwhelming guilt.


As he hovers on the brink of despair, a chance encounter on the French seafront at Cabourg brings new hope and unexpected joy. But the crushing aftereffects of war could destroy his second chance, leaving him more lost and alone than ever…

Buy link: http://store.samhainpublishing.com/lessons-learned-p-6245.html (e-book February 2011, print January 2012)

Excerpt:  

Orlando took a final tour around the garden before settling down in his study with the McNeil case. Spring was in full bloom, the late-flowering cherry a mass of sumptuous pink blossoms and the tulips still a mass of colour. The daffodils had gone, no longer standing proudly like trumpeters waiting to give the last post, but one or two late narcissi could still be found if you tried hard enough. He’d not yet got the bulbs planted in Jonty’s patch—that was a job for later this year—but there were plenty of buds on the shrubs. It would be fine, given a bit of time.

Orlando started reading Mrs. McNeil’s notes, a disconnected narrative of Daniel’s service history, interspersed with recollections of how much her son had loved France as a child, but he was unable to concentrate on them. His eye kept straying to the little writing desk, the one which had been his grandmother’s and which had been privy to all her secrets, given her habit of hiding important letters in a concealed drawer. Now it kept all the correspondence he’d had from Jonty when they’d been apart.

They’d always known, of course, from the moment that war was declared that things had changed somehow, even if the early part of the war saw only their relocation to London. They’d lived with the Stewarts and life had been much the same as when they’d been in Cambridge, except for the lack of dunderheads. When they’d put their names down to fight, that change had become more marked, given the increased chance of one of them not returning. From that moment, even though they were still together in training, Jonty had written to him every week.

He opened the little desk and took out the precious contents.

What do they use to make these uniforms? Scouring pads?

Orlando had often tried to figure out how Jonty had managed to get away with some of the comments he’d smuggled past the censors. Some of the letters had evaded other eyes entirely, delivered by hand or left under pillows.

Do you remember how you said you’d have liked to serve under the old King George, fighting Napoleon on land or sea? We have a new King George now and you’re to have your wish.

Their eventual parting had been so painful, preceded as it was by snatched nights of shared passion and tender longeurs—giving and receiving each other’s bodies, lying in one another’s arms without speaking, reacquainting themselves with every inch of each other, lest they be parted. Lest they might then forget. The last meeting, on a crowded railway station, had been almost wordless, from both necessity of discretion and aching in their hearts. They had shaken hands, exchanged notes and gone off into the smoky night. And each note had been almost identical.

I love you. Do not forget me. Love again if I don’t return.

Author bio:  

As Charlie Cochrane couldn't be trusted to do any of her jobs of choice—like managing a rugby team—she writes. Her favourite genre is gay fiction, predominantly historical romances/mysteries. She lives near Romsey but has yet to use that as a setting for her stories, choosing to write about Cambridge, Bath, London and the Channel Islands.
 
A member of the Romantic Novelists’  Association, and International Thriller Writers Inc, Charlie's Cambridge Fellows Series, set in Edwardian England, was instrumental in her being named Author of the Year 2009 by the review site Speak Its Name.